When we travel, the world around us gets smaller. Friendships are made on the fly, landscapes are explored, and new experiences are found around every corner. And when you stay in an Airbnb listing, this small world feeling is amplified immeasurably. We've created a fantastic handmade world that dramatizes the feeling you get while traveling with Airbnb. It's an expansive world, yet truly personal. As
the train travels through this world, the viewer gets to experience what is Airbnb and how Airbnb enables you to Belong Anywhere.
Explore at airbnb.com
Welcome to Airbnb - Behind the Scenes
A behind the scenes look at the process of creating 'Welcome to Airbnb'. The film was shot through a small camera mounted on the model train in a single, 60-second take. All external movements are mechanical, not animated or done in post-production. All the different transitions that were hand operated had to be incredibly coordinated. It was a well-orchestrated effort to ensure that the 9 people who did several jobs at once were able to either fold things up before, or tilt things over and rotate things to ensure the one perfect take.
Dave Wiskus explores the history of interaction and interface design, from the keyboard and mouse to multitouch, and beyond.
Every
day, people all over the world are clicking, tapping, typing, and
touching and dragging things on glass screens. Our ability to use all
this fancy technology with ease didn’t happen overnight. So how did we
end up here?
My
thanks to Jason Snell, Brent Simmons, Nick Arnott, Joe Cieplinksi, and
Ryan Nielsen for fact-checking and copy editing. If I’m wrong about
anything, blame them.
And an extra special thanks to the wonderful people who support the show on Patreon:
Ryan Nielsen Abraham Vegh Orta Therox Curtis Herbert Zach Kahn Samuel Strickland Daniel Cacace Kevin Korpi Joshua Ouille Jordan Cooper Pat McConnell Klaas Pieter Annema Bernd Goldschmidt Garrett Allen Matt Oram Ben McCarthy Brian Alvey
When it comes to photography, there is a debate whether or not the
Golden Ratio is better than the Rule of Thirds. Join Tara as she
discusses the importance of these.
Read More: What is the ‘Golden Ratio’ and why is it better than the ‘Rule of Thirds?’ http://photo.stackexchange.com/questi... “Somebody
recently told me that I will be able to compose more pleasing pictures
if I use the Golden Ratio instead of the Rule of Thirds, and that the
Rule of Thirds was an inferior way to compose photographs.”
How to Use the Golden Ratio to Improve Your Photography http://www.apogeephoto.com/may2014/ho... “The
Golden Ratio has been used as a powerful composition tool for
centuries. It is a design principle based on the ratio of 1 to 1.618.” ____________________
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New videos twice daily.
What every CEO needs to know about creating a user experience practice with Dr. Eric Schaffer. For more Information on HFI; http://www.humanfactors.com/uxsetup/i...
CEO's are going through a transition that just has to make their heads explode. It used to be that success was about getting powerful hardware in place or efficient software or great marketing offers.
But today things are suddenly very different. In 2012, Forrester found that 97 percent of
companies surveyed considered customer experience as the top strategic
priority, and 28 percent considered it the primary priority.
Seventy-five percent of companies hope to make customer experience a
competitive differentiator.
Today, hardware and software and
offers are undifferentiated. Marketing devolves to offering customers a
four-slice toaster to convert. But then the competition offers a
six-slice toaster, and the margins get vanishingly thin. So we
differentiate today on customer experience. We roll that buzzword around
a lot, but what does it mean.
For an executive, experience in
hardware and software and offers and toasters, it might not be clear.
Sure, in the physical spaces, we make stores with nice appointments and
attentive staff, and we train our call center folks to be empathetic,
but most of the customer experience challenge today is in the digital
channels. And what does it mean there?
There's a profession
called usability or user experience engineering, which focuses exactly
on this topic. There's a billion dollars' worth of research on how to
optimize human computer interactions. There are graduate degrees and
training and certifications and methods and tools and standards, and a
load of folks who put up a sign to say they do user experience design,
but they actually specialize more in something else. User experience
engineers systematically create designs that are efficient, accurate,
self-evident, fun, and compelling.
You can measure the impact
and business results, like throughput or number of calls to the call
center or conversion rate. But if you're a CEO who understands the
importance of customer experience, you have one big scary challenge. You
won't know how to set up a practice in customer experience design, and a
lot of what you learned from hardware and software and offers won't
work.
You might make motivational speeches about customer
experience, but motivation is not the problem. No one is trying to make
online banking hard. You might set clear goals with your team, and the
result is often a scrum of executives all trying to own customer experience without any idea what to do with it. You might buy some training, but
the training staff come out into an environment that's not ready, and
they soon forget their skills as they get no chance to use them.
So
you hire a super strong expert in customer experience design. But while
they're great at designing experiences, they don't know how to set up
an industrial strength practice for designing experiences. Then you look
for a consultancy that claims to do user experience design, but you
actually get a graphics firm that makes lovely pictures that are very
impressive but doesn't get you where you need to be. But before you give
up, recognize that a sustainable customer experience design practice
can only happen with a set of things in place. It's just like a
hospital. It happens because of organizational structures and standards
and surgeons and pipes. You hire an expert in setting up hospitals. You
need a consulting partner that will help your company to set up a
serious sustainable industrial strength practice.
I have said, in the
past, that you should move toward full frame sensors. I have always
championed full frame sensors. At the end of the day, full frame sensors
beat APS sized and smaller sensors.
The whole reason I bought an
original x100 was because it had the largest sensor I could find in a
small camera. It had been a number of years since I had shot an APS crop
frame sensor. The last APS camera I shot professionally was the Nikon
D200. I replaced that with a Nikon D3 (full frame) and then moved on to
the Canon 5d2, (also full frame.) From the time I retired my D200 to
using the x100 on jobs was about four years. When I bought that little
x100 I had ZERO desire to change to a new camera system. I sure as hell
was NOT going to switch from a full frame camera to an APS camera. Full
frame cameras are better. Right?
If I have ruffled your feathers,
as these topics usually tend to do, please read my entire blog post
about this topic before you fire something off at me. I go more in depth
there.
Your eyes are tiny spheres of wonder. A doctor can find warning signs of
high blood pressure, diabetes, and a whole range of other systemic
health issues, just by examining your eyes. Ophthalmologist Neal Adams
explains why the eye's tissues and blood vessels make such a good
barometer for wellness.
Human Technology is an artistic short movie celebrating the uniqueness
and the distinction of every Beretta premium gun. This movie by Ancarani
Studio, under the creative direction of Paola Manfrin, reveals through
the minutia of the manufacturing process, the genesis of a luxury
Beretta shotgun. A poetic journey through sterile robotic rooms is
blended with five centuries of Beretta’s history, culminating in the
final assembly by the gunsmith, ever the wise guardian of the art of
manufacturing.
Human
Technology è un cortometraggio che celebra l'eccellenza e l'unicità dei
fucili di lusso Beretta. Quest'opera, firmata da Ancarani Studio e
sotto la direzione creativa di Paola Manfrin, racconta con accurato
sapore miniaturista la genesi di un fucile di lusso Beretta e del
percorso poetico delle sue parti in asettici ambienti robotizzati ed
atmosfere cinquecentesche, per essere infine unite tra di loro
dall'uomo, tutt'oggi il sapiente custode dell'arte del fabbricare.
// Condensing commentaries to only the most VITAL film information.// // http://filmschoolthrucommentaries.wor... // - more on CINEMATIC LANGUAGE // https://twitter.com/digifruitella
// - If you wanna tell me what a good job I'm doing and boost my morale
up so that maybe I increase the output of this fine filmmaking info,
here's your chance. If you just wanna tell me to fuck off - feel free to
do that too, but don't expect a nice response either ;P
Hollywood blockbuster Gone Girl was edited entirely in Adobe Premiere
Pro CC. The workflow used by David Fincher and his post-production team
offers insights into the evolution of filmmaking today. Working
interactively, with editorial and visual effects tightly linked, the
team was able to shape the 6K source footage into a cinematic
masterpiece. Hear how they did it. LEARN MORE about the Adobe Creative
Cloud pro video tools: http://adobe.ly/1Bn4vX3
From UFOTV®, accept no imitations. Narrated by Elliott Gould. Includes secret film footage never seen until now. After 15 years of research, filmmakers have discovered brand-new evidence that reveals a scandalous conspiracy surrounding the death of one of the old Soviet Union's most famous cosmonauts, Colonel Vladimir Komarov. When Komarov and the new Soyuz rocket was launched into space on the morning of April 23rd, 1967, his spaceship had catastrophic failures that began almost immediately. His ship lost power on re-entry and Komarov was killed instantly on impact. The Soviet government was not about to admit this failure on the 50th anniversary of the creation of the Soviet Union and covered up the entire incident by saying that Komarov's mission had been a big success, but that he later was killed in a bus crash. Only one man in the entire Soviet Union, Komarov's best friend Yuri Gagarin, was strong enough to force the government to tell the truth about what really happened to Komarov during his space flight. This program includes secret archival footage that has never been seen by the public, until now.
COMING TO DVD from UFOTV® - The Soyuz Conspiracy: The Story of Vladimir Komarov - Go tohttp://www.UFOTV.com
Thee Chernobyl disaster (Ukrainian: Чорнобильська катастрофа, Chornobylska Katastrofa -- Chornobyl Catastrophe) was a catastrophic nuclear accident that occurred on 26 April 1986 at the Chernobyl Nuclear Power Plant in Ukraine (then officially Ukrainian SSR), which was under the direct jurisdiction of the central authorities of the Soviet Union. An explosion and fire released large quantities of radioactive particles into the atmosphere, which spread over much of Western USSR and Europe.
The Chernobyl disaster is widely considered to have been the worst nuclear power plant accident in history, and is one of only two classified as a level 7 event on the International Nuclear Event Scale (the other being the Fukushima Daiichi nuclear disaster in 2011). The battle to contain the contamination and avert a greater catastrophe ultimately involved over 500,000 workers and cost an estimated 18 billion rubles. The official Soviet casualty count of 31 deaths has been disputed, and long-term effects such as cancers and deformities are still being accounted for.
http://www.sciencefriday.com In the Leidenfrost Effect, a
water droplet will float on a layer of its own vapor if heated to certain
temperature. This common cooking phenomenon takes center stage in a series of
playful experiments by physicists at the University of Bath, who discovered new
and fun means to manipulate the movement of water.
Researchers test
ridged surfaces in order to control the movements of hot water.
The Mona Lisa is widely considered the greatest portrait of all time. It appears
in countless advertisements, has inspired poetry, sculpture, forgeries, and
theft. But seriously, why? The painting is small, only 30 x 21 inches, the color
is somber, the background seems desolate and eerie, and the subject isn't anyone
historically significant. So, what is all the brouhaha about? Is it really all
about her mystifying gaze and a quirkly smile? Well, let's take a closer look.
This video was
produced from the Radiolab offices - a big thanks to Robert Krulwich for setting
up the visit and to Jad Abumrad for use of his desk (even though he was out of
town and didn't know).
