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Showing posts with label StopMotion. Show all posts
Showing posts with label StopMotion. Show all posts

Saturday, March 8, 2014

GTLK


Concept: Components of the space. Between existence and "No!". Alive — аbsorbs.

Client: Gosudarstvennaya Transportnaya Lizingovaya Kompaniya | GTLK
Agency: Communication Group IMARS | imars.ru ©
Producer/Director: Andrey Muratov | andreymuratov.com
D.O.P: Alexander Kuznetsov | 6fpro.ru
Postproduction: andreymuratov.com
Sound design: Nebulo | myspace.com/nebulo

«Nebulo — Plasticmare» was licensed for this promotion video | hymen-records.com ©
 

Friday, February 7, 2014

Move Mountain + Making



Making of video here! vimeo.com/kirstenlepore/makingmove
A girl journeys through a vibrant, pulsing, macrocosmic landscape, but a precipitous incident compels her to venture up a mountain in an attempt to save herself. A story about illness, perseverance, and our connection to everything around us.
Directed by Kirsten Lepore
Story/Fabrication/Animation/DP/Editing/Post by Kirsten Lepore
Sound by Kirsten Lepore & Paul Fraser
Music written & performed by Chelsea Lepore & Kirsten Lepore
Character Design Contributions by:
Emily Brundige
Ethan Clarke
Garrett Davis
Laura Jane Favela
Lorenzo Fonda
Jon Gomez
Meejin Hong
Kangmin Kim
Lizzy Klein
Ru Kuwahata
Spencer Ockwell
David OReilly
Quique Rivera Rivera
Michael Please
Sara Pocock
Max Porter
Julia Pott
MAKING OF: MOVE MOUNTAIN



Behind the scenes on Move Mountain.
"Move Mountain" full animation here: vimeo.com/kirstenlepore/movemountain
Music - "Something about you" by Tensnake

Friday, December 6, 2013

John Lewis - The Bear & The Hare + Making


Directed by Elliot Dear & Yves Geleyn
Subscribe - blinkink.co.uk/#

The John Lewis Christmas campaign has become a symbol of the start of the British festive season, and Blinkink and Hornet are proud to present The Bear & the Hare, Elliot Dear and Yves Geleyn’s heartwarming animated film for John Lewis and Adam & Eve DDB.

There once was an animal who had never seen Christmas. As autumn winds turn to winter snow, the bear begins his annual retreat into hibernation to sleep his way through the best part of the year. The festive spirit is strong though, and his friend the hare is determined to give him a gift he has never received before – Christmas.

John Lewis 'The Bear & The Hare' - The Making Of


Making of film directed by Jake & Josh
jakeandjosh.co.uk

The Bear & the Hare is the first John Lewis campaign to embrace the emotive power of animation, a filmic technique so evocative of Christmasses gone by.

Elliot and Yves took the two most traditional and time-honoured animation processes – stop-motion and traditional hand-drawn 2D animation – and combined them to create something innovative and unique. Their aim was to do almost everything in camera, using real lighting, lens and film craft to build a world where the audience can see and feel the painstaking work behind it. The 2D animation’s physical interaction with the set and the human imperfections inherent in the process create a hand-crafted piece full of heart and integrity.

The animation process involved constant shifts between 2D and 3D worlds. In order to achieve this complicated combination the whole film was first created in Blinkink Studios as a 3D previsualisation animatic with all the sets and characters built to scale. This allowed everything to be developed and planned alongside the modelmakers and animators, thus integrating the different disciplines and processes before the set was built or the characters were printed.

Aaron Blaise (Brother Bear, The Lion King, Mulan) and his team of veteran Disney animators at Premise Entertainment in Orlando, Florida, designed and animated the characters. The 2D-animation frames were printed onto mounted paper and cut with a laser. Each frame (nearly 4,000 in total) was then individually hand-labelled before going on set. Feature-film stop-frame animators then spent 6 weeks bringing the world to life.

The set was built by our production designer John Lee (Aliens, Fantastic Mr Fox, Frankenweenie) and his team at Shepperton Studios before being transported to Clapham Road Studios ready for the stop-motion shoot.

Post-production was done in-house in Blinkink’s animation studio, and the final grade was completed at MPC.

CREDITS
Directors:
Elliot Dear & Yves Geleyn

Executive Producers:
Bart Yates
Michael Feder

Producers:
Bart Yates
James Stevenson Bretton
Josephine Gallagher

Line Producer:
Kev Harwood

Production Manager:
Benjamin Lole

2D Animation:
Premise Entertainment LLC

2D Animation Supervisors:
Aaron Blaise
Dominic Carola

2D Line Producer:
Iris Pearson

2D Animators:
Erin Humiston
Darko Cesar

Head of Clean-up 2D Animation:
Janelle Bell-Martin

2D Clean-up Artists:
Mi Yul Lee
Teresa Quezada-Geer
Jacque Pierro
Chad Thompson
Jason Peltz

2D Compositor/Scene Setup:
Mac Masters

2D Artistic Coordinator:
Pam Darley

2D Digital Artist:
Anthony West
Enoc Castaneda

2D Lead Colourist/Coordinator:
James Lancett

2D Colourists:
Sean Weston
Joseph Sparkes
Frankie Swan
Harriet Gillian

Assistant 2D Colourist:
Lila Peuscet

2D Illustrator Technician:
Albert Sala

Printers:
The Graphical Tree

Laser Cutting:
Ewen Dickie

Designer/Typographer:
Robert Frank Hunter

Storyboard Artists:
Sav Akyuz
Steve Tappin
James Lancett
Robert Frank Hunter

3D Technical Director:
Patrick Hearn

3D Previsualisation Artist:
Simone Ghilardotti
Lucas Cuenca
Johannes Sambs

Lead Stop-Frame Animator:
Andy Biddle

Stop-Frame Animators:
Daniel Ojari
Daniel Gill

Production Designer/ Supervising Modeller:
John Lee

Art Department Modellers:
Colin Armitage
Sonya Yu
Maggie Haden
Collette Pidgeon
Yossel Simpson Little
Richard Blakey
Gary Welch
Christy Matta
Lucy Begent

Scenic Painters:
Fiona Stewart
Beth Quinton

Rigging Department:
Richard Blakey

Art Department Assistants:
Morgan Faverty
Anna Ginsburg
Jennifer Newman

MOCO/Camera Assistant:
Max Halstead

Director of Photography:
Toby Howell
Gaffer:
Aldo Camilleri
Runner:
Robert Gould

Post Production:
Blinkink Studios
Post Production/Compositing:
Alasdair Brotherston
Ian Sargent
Carlos Diego
Jonathan Gallagher
Elliot Dear

Editors:
Sam Sneade at Speade
Ellie Johnson at Speade

Music Consultants:
Leland Music

Sound Design:
Sam Robson at Factory Studios

Colourist:
Jean-Clement Soret at MPC

‘Making of’ Film:
Jake Hopwell & Josh Hine

Studio Manager:
Elizabeth Day

Studio Assistant:
Toby Goodyear

Catering:
Laura Barbi

Advertising Agency:
Adam & Eve DDB

Executive Creative Director:
Ben Priest

Creative Directors:
Aidan McClure Laurent Simon

Agency Producer:
Anthony Falco

Assistant Producer:
Catherine Cullen

Monday, August 5, 2013

The History of Typography - Animated Short



A paper-letter animation about the history of fonts and typography.
291 Paper Letters.
2,454 Photographs.
140 hours of work.
Created by Ben Barrett-Forrest
© Forrest Media - 2013
forrestmedia.org
facebook.com/forrestmedia
twitter.com/benbf
Video on Youtube: youtu.be/wOgIkxAfJsk
Information Sources:
Thinking in Type by Ellen Lupton
Just My Type by Simon Garfield
If this video sparks any ideas, I would love to hear about them!

The Making of Longbird



BAFTA Film Awards 2013 WINNER - 'Short Animation'
BAFTA Scotland Awards - AWARD FOR ANIMATION
Watch 'behind-the-scenes' here - vimeo.com/32500808
themakingoflongbird.com
AWARDS include:
EDINBURGH INTERNATIONAL FILM FESTIVAL 2012 – British Short Film Award & Mclaren Award
GLASGOW SHORT FILM FESTIVAL 2012 - Scottish Short Film Award
BROOKLYN FILM FESTIVAL 2012 – Best Animation
ANNECY INTERNATIONAL FESTIVAL OF ANIMATED FILM 2012 – Award for Best Graduation Film
STUTTGART INTERNATIONAL FESTIVAL OF ANIMATED FILM 2012 – Young Animation
EXPOSURES FILM FESTIVAL 2012 - Programmers Choice Award
WARSAW INTERNATIONAL FILM FESTIVAL 2011 - Short Grand Prix
DOK LEIPZIG 2011- 54th International Leipzig Festival for Documentary and Animated Film - Golden Dove & Mephisto 97.6 Audience Award
GIRAF ANIMATION FESTIVAL 2011 - Audience Award
ROYAL TELEVISION SOCIETY Student Awards - Winner – Undergraduate Animation


The Making of Longbird // A Retrospective



Interview with actor, Longbird, and Director, Will Anderson reflecting on the last year and beyond. Interviewed by Ainslie Henderson.
*This isn't the 15minute short film 'The Making of Longbird'. It is an exclusive interview.

Thursday, November 29, 2012

Toyota - "Stories of Better"


Wanting to create truly special visuals for their appearance at the 2012 Paris Motor Show, Toyota along with Saatchi & Saatchi turned to Hornet & Blinkink. The result, Stories of Better, is made up of four unique films (two from Hornet directors and two from Blinkink directors) that tell the remarkable stories of extraordinary Toyotas and their owners.
Directed by: Sumo Science
Produced by: Julie Crosbie
Exec Producer: James Stevenson Bretton
Post Production: MPC/WAM London

Friday, September 28, 2012

Monday, September 24, 2012

B.L.O.T.



B.L.O.T. are an Indian DJ / art collective making an audiovisual portrait of Bombay.
A Somesuch & Co. documentary made with The Guardian, BMB and Cobra beer.

Friday, June 8, 2012

Imagination Series: Hints & Tips

 
Stopmotion video that should inspire people to join the direction contest for a script by Geoffrey Fletcher.
Credits:
Client: Bombay Sapphire
Agency: Gravity Road
Director: Rogier Wieland
Animator: Rogier Wieland
Copywriter: Greg Mutton
Art Director: Shruti Veeramachineni
Executive Producer: Mark Boyd
Producer: Simon Kearney
Music: Nick Holywell-Walker

Friday, May 25, 2012

The Caketrope of BURTON's Team

 
Film de / by Alexandre DUBOSC © (France, 1' 40", 2012)
alexandre-dubosc.com
Sound design & Music :
yanfiorello.com
"Making OeuF" & photos du film :
adubosc.free.fr/web2/photo.html#photo=650/album=31
Atelier "Loopse" ( Montreuil - FRANCE ) :
facebook.com/pages/Atelier-Loopse/341421822575790
La Cinémathèque française :
cinematheque.fr/fr/expositions-cinema/printemps-2012-tim-burto1/
-------------------------------------
Chocolate tribute to Tim BURTON
-------------------------------------
Hommage chocolaté à Tim BURTON
-------------------------------------
Copyright ==) No commercial use without my permission

Sunday, April 15, 2012

Ah

  Combined units of colorful blocks.
They act like people.
However, the color disappears, you feel it differently.

+
Tools
Nikon D80 / AE / ProTools LE /

+
Made by Studio Shelter
studioshelter.co.kr
shelter.animation@gmail.com
facebook.com/studioshelter

++
Director : Lee SungHwan

Wednesday, April 11, 2012

Benga - I Will Never Change

  Download the full track here - smarturl.it/Benga-IWNC
Directors - Us
Producer - Liz Kessler
Line Producer - Connor Hollman
DoP - Matt Fox
Gaffer - Ben Fordesman
Editor - Vid Price
Grade - Mark Horrobin
Animation - Alice Dupre
Structural consultant - Jorge Betancor
Runner - Tayo Rapoport
Runner - Paul Mckelvie
Runner - Chaelyn Allcock
Production Company - A+
Commissioner - Dan Millar
Management - Phil Hutcheon / Andrew Foggin

Address Is Approximate

  Google Street View stop motion animation short made as a personal project by director Tom Jenkins.

Story: A lonely desk toy longs for escape from the dark confines of the office, so he takes a cross country road trip to the Pacific Coast in the only way he can – using a toy car and Google Maps Street View.

Music by the wonderfull Cinematic Orchestra (cinematicorchestra.com) and the track is Arrival of the Birds - please buy the fantastic album: itunes.apple.com/gb/album/the-crimson-wing-mystery-flamingos/id297787201

All screen imagery was animated - there are no screen replacements.

Produced, animated, filmed, lit, edited & graded by Tom Jenkins (theoryfilms.co.uk / facebook.com/theoryfilms - !NEW MAKING OF PICS ON FB PAGE! / @thetheoryUK / twitter.com/#!/thetheoryUK).

Shot using Canon 5d MkII, Dragonframe Stop Motion software and customised slider.

the old man and the sea

  Ein Stop-Motion-Film, inspiriert von Ernest Hemingway's Kurzgeschichte “the old man and the sea“.

Semesterarbeit zu „Bild und Kommunikation“, Prof. Dr. Reiner Nachtwey, FH-Düsseldorf

Zeichnung // Hagen Reiling
Kamera, Animation // Marcel Schindler
Musik // Awolnation: Sail

marcelschindler.de