100 Years - Armenian Genocide

In this special year 2015, we did this 3 minute animation for the centenary of the Armenian Genocide. The Turkish government denies to the date that the genocide took place. It has passed a hundred years, today April 24th, and we`ll keep on fighting till recognition. This is a small tribute to the 1.500.000 victims.

2veinte.com.ar
Facebook.com/2veinte
@2veintestudio

Non commercial project
Done by 2veinte
Directed by Pablo Gostanian
Creative Direction: Pablo Gostanian
Executive Producer: Agustin Valcarenghi
Animation Direction: Pablo Gostanian, Melisa Farina, Sebastian Garcia, Juan Pablo Sciaccaluga
Cel Animation Direction: Melisa Farina, Sebastian Garcia
Art Direction: Pablo Gostanian, Juan Molinet
Associate Arte Direction: Facundo Quiroga
Illustrators & Designers: Juan Molinet, Facundo Quiroga, Pablo Gostanian, Mariano Cutropia, Luke Etcheverry, Fernando Martinez Ruppel, Santiago Medina Neves
Character Design: Juan Molinet
Cel Animators: Melisa Farina, Sebastian Garcia, Facundo Quiroga, Augusto Gabrys, Santiago Medina Neves, Juan Nadalino, Nahuel Sagárnaga,
Lucia Castez, Martin Gil, Valentina Candia, Alex Gostanian, Diego Frachia, Gabriela Bosco
2D Animation: Juan Pablo Sciaccaluga, Josefina Preumayr, Alex Gostanian, Pablo Gostanian, Enmanuel Pelaez, Diego Flores Diapolo
3D Animation: Augusto Gabrys, Diego Flores Diapolo, Sebastian Garcia, Juan Pablo Sciaccaluga
Composition: Juan Pablo Sciaccaluga, Sebastian Garcia
Post Production: Pablo Gostanian, Josefina Preumayr
Story Board: Melisa Farina, Sebastian Garcia, Facundo Quiroga, Pablo Gostanian
Story & Concept: Pablo Gostanian
Producer: Geraldine Chaia Arazi

Music: Brian Eno – 2 forms of anger (not for commercial use)
SFX: Diego Flores Diapolo, Rancho

This video belongs to 2veinte, all rights reserved. Reproduction must be consent only by 2veinte.

Satoshi Kon - Editing Space & Time

Four years after his passing, we still haven't quite caught up to Satoshi Kon, one of the great visionaries of modern film. In just four features and one TV series, he developed a unique style of editing that distorted and warped space and time. Join me in honoring the greatest Japanese animator not named Miyazaki.

For educational purposes only.
You can support the channel at patreon.com/everyframeapainting
And you can follow me at twitter.com/tonyszhou

For further reading/viewing, I highly recommend:
Andrew Osmond's book "Satoshi Kon: The Illusionist" (my major source) http://amzn.com/1933330740
Kristin Thompson's essay on match cuts & graphic matches http://bit.ly/1x960Em
And this tumblr with an excellent name http://fuckyeahsatoshikon.tumblr.com/

Tiësto feat. Matthew Koma - 'Wasted'

Directed by Evan Spencer Brace

Animation by Allen Laseter

VFX/Keying/Roto by Jayson Wall

Production Design/Props - Katie Butler

Styling - Caitlin Coilling

H&M - Marz

2D FX sakuga compilation

effeect --> effect xD
This is my 2D animation FX Reel 2011-2013.
I work in Kamikaze douga.

music by PianoBench
https://soundcloud.com/pianobench/ponikos-electro-house-yume

Animated walks and runs

Animated run cycles and walk cycles, produced using Flash©.
Music:
The swimming song from: Earl Scruggs Review Album, Banjo by Scruggs, Vocals by Wainwright.

Animation process in The Dam Keeper

facebook.com/TheDamKeeper
facebook.com/erickohart

M.o.M / Animatics / Color Script

The quiet life of a fisherman made of small acts repeated day after day
is ruined by the sense of guilty that becomes itself part of this routine.
Unfortunately the fisherman’s own nature makes it impossible to amend for his mistake

La durata della vita di un pescatore fatta di piccoli atti che si ripetono giorno dopo giorno è rovinata dal senso di colpa che diventa a sua volta parte della sua routine.
Sfortunatamente la natura stessa del pescatore gli rende impossibile rimediare ai suoi errori.

Personal Website -margheritapremuroso.com

ColorScript vimeo.com/87219628
Animatic vimeo.com/87220116

M.o.M Animatic

Preproduction

2d animatic

M.o.M Color Script

Preproduction

Colorscript

Build up your skills

We've been asked to realize a serie of 2 motion graphics videos explaining to kids how to deal with their future professional life and their money.
The project, hold by Junior Achievement, an international no-profit organisation helping children achieve their goals through school, was supported by Citibank through their Citi foundation.

Designing and animating for the boys and girls in high school was fun and challenging, the educational purpose of the videos makes them quite long and complete for our standards, but we really liked the approach: it's never too soon to learn more about these topics!

Here's the other episode: vimeo.com/84668107

NO PROFIT: Junior Achievement Italy
CLIENT: Citibank
DIRECTION: Ilenoliukgo
DESIGN: Ilenia Notarangelo, Marta Croce
ANIMATION: Matteo Ruffinengo, Luca Gonnelli, Ilenia Notarangelo
VOICEOVER: Lara Parmiani

Flip Flop Interactive Logo Reveal

We were really happy when we got a brief from Flip Flop Interactive in school. They wanted us to animate a short logo animation which in an easy way gave a hint on what they do. Guillaume and I teamed up and came up with a great concept with some fast transitions. We also recorded own sounds which turned out to be really fun!

Make sure to also check out Guillaume's awesome work here: vimeo.com/gllm
Check out Flip Flop here: flipflopinteractive.com/

YouTube // Partner Video Campaign (Compilation)

Client: YouTube
Agency: Cardinal Media
Production: Giant Ant

Job Hall at Cardinal Media brought us in to design and animate 7 videos explaining all aspects of
YouTube's partnership program.
This is a little compilation of a few of the videos. You can watch the full videos here: youtube.com/watch?v=Lze7MUs1QmE&feature=share&list=SPEC2A4D3B9EC8FD53

John Lewis - The Bear & The Hare + Making

Directed by Elliot Dear & Yves Geleyn
Subscribe - blinkink.co.uk/#

The John Lewis Christmas campaign has become a symbol of the start of the British festive season, and Blinkink and Hornet are proud to present The Bear & the Hare, Elliot Dear and Yves Geleyn’s heartwarming animated film for John Lewis and Adam & Eve DDB.

There once was an animal who had never seen Christmas. As autumn winds turn to winter snow, the bear begins his annual retreat into hibernation to sleep his way through the best part of the year. The festive spirit is strong though, and his friend the hare is determined to give him a gift he has never received before – Christmas.

John Lewis 'The Bear & The Hare' - The Making Of

Making of film directed by Jake & Josh
jakeandjosh.co.uk

The Bear & the Hare is the first John Lewis campaign to embrace the emotive power of animation, a filmic technique so evocative of Christmasses gone by.

Elliot and Yves took the two most traditional and time-honoured animation processes – stop-motion and traditional hand-drawn 2D animation – and combined them to create something innovative and unique. Their aim was to do almost everything in camera, using real lighting, lens and film craft to build a world where the audience can see and feel the painstaking work behind it. The 2D animation’s physical interaction with the set and the human imperfections inherent in the process create a hand-crafted piece full of heart and integrity.

The animation process involved constant shifts between 2D and 3D worlds. In order to achieve this complicated combination the whole film was first created in Blinkink Studios as a 3D previsualisation animatic with all the sets and characters built to scale. This allowed everything to be developed and planned alongside the modelmakers and animators, thus integrating the different disciplines and processes before the set was built or the characters were printed.

Aaron Blaise (Brother Bear, The Lion King, Mulan) and his team of veteran Disney animators at Premise Entertainment in Orlando, Florida, designed and animated the characters. The 2D-animation frames were printed onto mounted paper and cut with a laser. Each frame (nearly 4,000 in total) was then individually hand-labelled before going on set. Feature-film stop-frame animators then spent 6 weeks bringing the world to life.

The set was built by our production designer John Lee (Aliens, Fantastic Mr Fox, Frankenweenie) and his team at Shepperton Studios before being transported to Clapham Road Studios ready for the stop-motion shoot.

Post-production was done in-house in Blinkink’s animation studio, and the final grade was completed at MPC.

CREDITS
Directors:
Elliot Dear & Yves Geleyn

Executive Producers:
Bart Yates
Michael Feder

Producers:
Bart Yates
James Stevenson Bretton
Josephine Gallagher

Line Producer:
Kev Harwood

Production Manager:
Benjamin Lole

2D Animation:
Premise Entertainment LLC

2D Animation Supervisors:
Aaron Blaise
Dominic Carola

2D Line Producer:
Iris Pearson

2D Animators:
Erin Humiston
Darko Cesar

Head of Clean-up 2D Animation:
Janelle Bell-Martin

2D Clean-up Artists:
Mi Yul Lee
Teresa Quezada-Geer
Jacque Pierro
Chad Thompson
Jason Peltz

2D Compositor/Scene Setup:
Mac Masters

2D Artistic Coordinator:
Pam Darley

2D Digital Artist:
Anthony West
Enoc Castaneda

2D Lead Colourist/Coordinator:
James Lancett

2D Colourists:
Sean Weston
Joseph Sparkes
Frankie Swan
Harriet Gillian

Assistant 2D Colourist:
Lila Peuscet

2D Illustrator Technician:
Albert Sala

Printers:
The Graphical Tree

Laser Cutting:
Ewen Dickie

Designer/Typographer:
Robert Frank Hunter

Storyboard Artists:
Sav Akyuz
Steve Tappin
James Lancett
Robert Frank Hunter

3D Technical Director:
Patrick Hearn

3D Previsualisation Artist:
Simone Ghilardotti
Lucas Cuenca
Johannes Sambs

Lead Stop-Frame Animator:
Andy Biddle

Stop-Frame Animators:
Daniel Ojari
Daniel Gill

Production Designer/ Supervising Modeller:
John Lee

Art Department Modellers:
Colin Armitage
Sonya Yu
Maggie Haden
Collette Pidgeon
Yossel Simpson Little
Richard Blakey
Gary Welch
Christy Matta
Lucy Begent

Scenic Painters:
Fiona Stewart
Beth Quinton

Rigging Department:
Richard Blakey

Art Department Assistants:
Morgan Faverty
Anna Ginsburg
Jennifer Newman

MOCO/Camera Assistant:
Max Halstead

Director of Photography:
Toby Howell
Gaffer:
Aldo Camilleri
Runner:
Robert Gould

Post Production:
Blinkink Studios
Post Production/Compositing:
Alasdair Brotherston
Ian Sargent
Carlos Diego
Jonathan Gallagher
Elliot Dear

Editors:
Sam Sneade at Speade
Ellie Johnson at Speade

Music Consultants:
Leland Music

Sound Design:
Sam Robson at Factory Studios

Colourist:
Jean-Clement Soret at MPC

‘Making of’ Film:
Jake Hopwell & Josh Hine

Studio Manager:
Elizabeth Day

Studio Assistant:
Toby Goodyear

Catering:
Laura Barbi

Advertising Agency:
Adam & Eve DDB

Executive Creative Director:
Ben Priest

Creative Directors:
Aidan McClure Laurent Simon

Agency Producer:
Anthony Falco

Assistant Producer:
Catherine Cullen

ETC Feminina

CASULO Interactive Studio
Client: ETC Feminina
Concept: Matheus Santana
Animation: Manuel Neto
Sound: Sérgio Santana
Account Manager: Carol Carvalho

Progression of an Animated Shot: Gothel & Rapunzel Disney's Tangled

-This video was created for a class I was teaching. It shows some of my process when creating a shot. The steps show what we receive from layout, the thoughts behind ref & planning, blocking, and taking the shot all the way to final

-This was for educational purposes only, including my own

The Kinda Sutra

Almost everyone has a funny story about where they used to think babies came from. Sundance Documentary short, "The Kinda Sutra," is a look at people's youthful misconceptions about conception. Thought provoking stuff. And in case you're still not sure how babies are made, the kids at the end of the film break it down.

Director: Jessica Yu
Executive Producers: Michael Degan, Loretta Jeneski
Producer: Patrick Degan

I thought of Frida Kahlo

"I wasn't opposed to the facial hair, I thought of Frida Kahlo."

-----
A collaboration with one of my favorite humans: cylinderfour.com

The History of Typography - Animated Short

A paper-letter animation about the history of fonts and typography.
291 Paper Letters.
2,454 Photographs.
140 hours of work.
Created by Ben Barrett-Forrest
© Forrest Media - 2013
forrestmedia.org
facebook.com/forrestmedia
twitter.com/benbf
Video on Youtube: youtu.be/wOgIkxAfJsk
Information Sources:
Thinking in Type by Ellen Lupton
Just My Type by Simon Garfield
If this video sparks any ideas, I would love to hear about them!

keep drawing

++
Keep drawing.

+
Made by Studio Shelter
studioshelter.co.kr
shelter.animation@gmail.com
facebook.com/studioshelter
++
Staff
Director : Ha Juan
Animation : Ha Juan / Lee Sunghwan
Rotoscope : Ha Juan / Park Taejoon / Yang Jungwoo / Lee Sunghwan
Kim Young seok / Han Jihea / Yang Minji / Kim Daiho
Cast : Park Taejoon / Jung Hyunjung / Lee Hyein / Lee Jihyun
Park Namyoung / Lee Yoonjeong / Ha Juan / Lee Sunghwan
Photography : Ha Juan / Lee Sunghwan
Assistant : Choi Seongsu
Sound Design : Lee Sunghwan
Music : Park Taejoon
Equipments : K'ARTS

Lady with Long Hair

A film by Barbara Bakos debuting online exclusively in Cartoon Brew's 4th annual Student Animation Festival.

VISIT Barbara Bakos' Personal Website: BarbaraBakos.com
To learn more about the production of this film, visit:
cartoonbrew.com/brewtv/ladywithlonghair-86686.html

The Making of Longbird

BAFTA Film Awards 2013 WINNER - 'Short Animation'
BAFTA Scotland Awards - AWARD FOR ANIMATION

Watch 'behind-the-scenes' here - vimeo.com/32500808
themakingoflongbird.com
AWARDS include:
EDINBURGH INTERNATIONAL FILM FESTIVAL 2012 – British Short Film Award & Mclaren Award
GLASGOW SHORT FILM FESTIVAL 2012 - Scottish Short Film Award
BROOKLYN FILM FESTIVAL 2012 – Best Animation
ANNECY INTERNATIONAL FESTIVAL OF ANIMATED FILM 2012 – Award for Best Graduation Film
STUTTGART INTERNATIONAL FESTIVAL OF ANIMATED FILM 2012 – Young Animation
EXPOSURES FILM FESTIVAL 2012 - Programmers Choice Award
WARSAW INTERNATIONAL FILM FESTIVAL 2011 - Short Grand Prix
DOK LEIPZIG 2011- 54th International Leipzig Festival for Documentary and Animated Film - Golden Dove & Mephisto 97.6 Audience Award
GIRAF ANIMATION FESTIVAL 2011 - Audience Award
ROYAL TELEVISION SOCIETY Student Awards - Winner – Undergraduate Animation

The Making of Longbird // A Retrospective

Interview with actor, Longbird, and Director, Will Anderson reflecting on the last year and beyond. Interviewed by Ainslie Henderson.

*This isn't the 15minute short film 'The Making of Longbird'. It is an exclusive interview.

Speedrun: Matrix in 60 seconds

Put machines, dreams, Neo, dystopia, and more machines into a blender and chug it really fast - that's the taste of this condensed version of the 1999 hit movie.

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