A Brief History of Title Design

  Presentation video for the SXSW "Excellence in Title Design" competition screening.

Editor: Ian Albinson (artofthetitle.com)

Initial concept: David Horridge (davidhorridge.com)
Special thanks: M. Keegan Uhl (mkeeganuhl.com), Bill Simmon (billsimmon.com)

Website: artofthetitle.com
Twitter: twitter.com/ArtoftheTitle
Facebook: facebook.com/ArtoftheTitle

Music: RJD2 "Ghostwriter"

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Full film and television listing:

Intolerance
Phantom of the Opera
King Kong
Modern Times
My Man Godfrey
Make Way For Tomorrow
Citizen Kane
The Maltese Falcon
Gun Crazy
The Treasure of the Sierra Madre
Lady in the Lake
Fallen Angel
The Thing
Singing in the Rain
The Man with the Golden Arm
Anatomy of a Murder
Psycho
North by Northwest
Vertigo
Grand Prix
To Kill A Mockingbird
Dr. No
The Pink Panther
Goldfinger
Dr. Strangelove
Bullitt
Barbarella
Soylent Green
Mean Streets
Star Wars
Saturday Night Fever
Superman
Alien
Raging Bull
The Terminator
Brazil
The Untouchables
Do The Right Thing
Forrest Gump
The Naked Gun
Cape Fear
Reservoir Dogs
Delicatessen
Natural Born Killers
Freaked
Se7en
The Island of Dr. Moreau
Mimic
Donnie Brasco
Mission Impossible
Dawn of the Dead
Fight Club
Catch Me If You Can
Lemony Snicket's A Series of Unfortunate Events
The Fall
Casino Royale
Six Feet Under
Carnivale
Dexter
Mad Men
Iron Man
Juno
The Kingdom
Wall•E
Sherlock Holmes
Up In The Air
Zombieland
Scott Pilgrim vs the World
Buried
Robin Hood
Machete
The Social Network
Enter The Void

Film end titles for The Losers

 Web site: giovannibucci.com

Client: Warner Bros
Production: Prologue Films

Motion graphic design for the end titles and studio logos, I did the complete concept and look/treatment as well as all animations and editing. For this project I was given typography and original illustrations from the comic "The Losers". I deconstructed the flat 2D images and re-built them in 3D space in order to use depth of field and achieve a cinema look. I also mixed and animated various dirty/grungy elements to boost the overall look.

The score is not the original used on the movie. For this version it was designed ad hoc by Marco Morano (Hoxtonlab), with whom I collaborate regularly, as I wanted a version with sound effects and music timed to the animations.