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Showing posts with label Lighting. Show all posts
Showing posts with label Lighting. Show all posts

Monday, December 2, 2013

CYCLIQUE (short version)


( Light and Sound Installation by Collectif Coin et Nohista / 30mn )

Cyclique is a light and sound installation composed of a matrix of 256 balloons inflated with helium and equipped with LED lights. The floating 700 square-meter structure changes its shape as the wind flows through the balloons, immersing viewers in an artificial synaesthetic landscape where the soundtrack becomes the orchestra conductor.

Director - set design - concept : Maxime Houot
Set design - sound and lighting design : Nohista
Production : Collectif Coin
Coproduction : CCSTI Grenoble-La Casemate

( shot @ Amiens / Nuit Blanche 2013)

more infos + contact
collectif-coin.com/
nohista.org

Monday, February 11, 2013

Advanced Lighting Techniques with Chris Morris

We are at Critical Mass again, this time talking with Chris Morris. He gives a talk about advance light in 3D with contrast. Chris explains how sometimes lighting gets left behind in our Three Dimensional world, we spend so much time saying look at my wonderful polygons, that we don't take the time to light our subject properly to put the finishing touch on our projects. This is a must watch.

...I apologize for one minute forty seconds into the presentation, we ran into an issue with our video.

Wednesday, April 11, 2012

SMAPP Tutorial - Basic Interview Lighting

 we are one week closer to the launch of SMAPP and as our update of the week we wanted to share a tutorial on interview lighting.

there are so many different ways you can light an interview and while story is always important, interviews more than anything else often come with the constraints of time, space, and gear. traveling for A Game of Honor we had to be able to light an interview with whatever we could fit into one 70lb suitcase (which inspired a whole separate tutorial on what's in that suitcase). if you've done your share of interviews, you'll be all too familiar with showing up and having a room that would be a tight fit just to hold all of your gear, let alone setup and interview in it. with almost every interview we feel like we could use one more stinger, one more light, an extra five minutes to tweak the setup, or an extra 5' feet to reposition the talent and camera. however, through working within these constraints we can learn to do much more with much less. half the tricks we know about lighting have all come from having to figure something out while on set, and having to do so quickly. the more we understand light, how it works and how we can work with it, the more we can make the most of whatever time, gear, and space we might find ourselves in.

we hope you enjoy our first lighting tutorial on basic interview lighting. our next lighting tutorial we will be sharing shortly will show how we light the same scene three different ways to create different moods.

P.