Eneco Toon

Together with Achtung! we’ve created a film for Toon, a thermostat that helps you monitor and manage your energy consumption. Sharing a vision of the future as well as the current features of the device.

As Toon can be operated via a tablet, we chose to build the story around this. Realistic 3D, an earthly yet clean color palette and warm sound design were used to achieve a personal and lifelike touch.

Directed and produced by PlusOne.
http://www.plusoneamsterdam.com

Follow us on:
Twitter: http://www.twitter.com/plusoneams
Facebook: http://www.facebook.com/plusoneamsterdam
LinkedIn: http://www.linkedin.com/company/plusone

Gravity

Some analogue experiments with gravity.
Big thanks to Radium Audio for this brilliant music & sound design!


Video: Clemens Wirth (www.clemenswirth.com)
Audio: Radium Audio (www.radium-audio.com)


Inspired by Lautlos from Feedmee (https://vimeo.com/10458544) and the movie Inception

Sound of Ceres | BRYN MARINA - Official Music Video

Bryn Marina was written and recorded by Ryan Hover, Karen Hover and Robert Schneider in Fort Collins, Colorado and Decatur, Georgia. Bryn Marina is a journey through time and space- a story of how the human intersects with the universe and the relationship they share.

Over a year in the making, the Bryn Marina video was filmed in time-lapse using still cameras and macro lenses to capture children's “grow in water” toys as they slowly sprouted and came to life.

Sound of Ceres explores the wonders of our living planet through the lenses of mid-century lounge music, 60s pop, 70s nature documentary soundtracks, a single 80s drum fill, 90s shoegaze, and modern sampling techniques.

OFFICIAL BAND SITE: http://soundofceres.com

BUY THE TRACK: https://soundofceres.bandcamp.com

100 Years - Armenian Genocide

In this special year 2015, we did this 3 minute animation for the centenary of the Armenian Genocide. The Turkish government denies to the date that the genocide took place. It has passed a hundred years, today April 24th, and we`ll keep on fighting till recognition. This is a small tribute to the 1.500.000 victims.

2veinte.com.ar
Facebook.com/2veinte
@2veintestudio

Non commercial project
Done by 2veinte
Directed by Pablo Gostanian
Creative Direction: Pablo Gostanian
Executive Producer: Agustin Valcarenghi
Animation Direction: Pablo Gostanian, Melisa Farina, Sebastian Garcia, Juan Pablo Sciaccaluga
Cel Animation Direction: Melisa Farina, Sebastian Garcia
Art Direction: Pablo Gostanian, Juan Molinet
Associate Arte Direction: Facundo Quiroga
Illustrators & Designers: Juan Molinet, Facundo Quiroga, Pablo Gostanian, Mariano Cutropia, Luke Etcheverry, Fernando Martinez Ruppel, Santiago Medina Neves
Character Design: Juan Molinet
Cel Animators: Melisa Farina, Sebastian Garcia, Facundo Quiroga, Augusto Gabrys, Santiago Medina Neves, Juan Nadalino, Nahuel Sagárnaga,
Lucia Castez, Martin Gil, Valentina Candia, Alex Gostanian, Diego Frachia, Gabriela Bosco
2D Animation: Juan Pablo Sciaccaluga, Josefina Preumayr, Alex Gostanian, Pablo Gostanian, Enmanuel Pelaez, Diego Flores Diapolo
3D Animation: Augusto Gabrys, Diego Flores Diapolo, Sebastian Garcia, Juan Pablo Sciaccaluga
Composition: Juan Pablo Sciaccaluga, Sebastian Garcia
Post Production: Pablo Gostanian, Josefina Preumayr
Story Board: Melisa Farina, Sebastian Garcia, Facundo Quiroga, Pablo Gostanian
Story & Concept: Pablo Gostanian
Producer: Geraldine Chaia Arazi

Music: Brian Eno – 2 forms of anger (not for commercial use)
SFX: Diego Flores Diapolo, Rancho

This video belongs to 2veinte, all rights reserved. Reproduction must be consent only by 2veinte.

Satoshi Kon - Editing Space & Time

Four years after his passing, we still haven't quite caught up to Satoshi Kon, one of the great visionaries of modern film. In just four features and one TV series, he developed a unique style of editing that distorted and warped space and time. Join me in honoring the greatest Japanese animator not named Miyazaki.

For educational purposes only.
You can support the channel at patreon.com/everyframeapainting
And you can follow me at twitter.com/tonyszhou

For further reading/viewing, I highly recommend:
Andrew Osmond's book "Satoshi Kon: The Illusionist" (my major source) http://amzn.com/1933330740
Kristin Thompson's essay on match cuts & graphic matches http://bit.ly/1x960Em
And this tumblr with an excellent name http://fuckyeahsatoshikon.tumblr.com/

Silestone -- 'Por Encima de Todo'

Título: 'Por Encima de Todo'
Agencia: N/A - cliente directo
Anunciante: Grupo Cosentino
Producto: Encimeras cocina
Marca: Silestone
Sector: Comercio/Restauración
Productora: The Mushroom Company
Director/DoP/Dirección de arte/Post/Edición: Alex Roman
Idea original/Concepto: Alex Roman
CGI adicional: Juan Ángel García Martinez
Música: ZipZap Music
Copy: Juan Adrián Bravo (Copynstant)
Pieza: Spot TV 60"

thirdseventh.com

UniSA

Commercial for University of South Australia.

Produced at Brokendoll.
VFX by Important Looking Pirates.

My role: Boards, art direction

Kim Min Woo Animation Reel

This is some of the work I have worked on for the past couple of years.

BGM - "Bruno Mars-Runaway Baby"
titwoo@nate.com

BUTTERFLY - THE SHORT FILM - BY THI LIMA | DESIGN, 3D & ANIMATION

COMPLETE PROJECT INFO AT:
thilima3d.wordpress.com/

issuu.com/thilima/docs/butterfly_the_book?mode=window&pageNumber=1

facebook.com/pages/Thi-Lima-Design-3D-Animation/213840495309961

This is a FULL 3D ANIMATION
ARCHITECTURE & DESIGN, MODELING, SHADING, TEXTURE, LIGHTING, RENDERING, POST PROCESS, VISUAL EFFECTS, MUSIC PRODUCTION
***BY THIAGO LIMA***

INFORMAÇÕES SOBRE O CURSO 3D - BUTTERFLY

THE CONCEPT OF BUTTERFLY HOUSE
When I was just a kid, I´ve been painting some butterfly in a nice way, the method consist in draw just in one side of the paper then close the both sides to have a mirrored image. The most common image was a butterfly.

This thing keep in my mind until these days. I ever think about create some new architecture using this mirror idea to create a new image. A lot of kind of solutions passed through my mind but I never did, until now.

I was really really tired to see the same kind of 3D architectural images: Box house on middle of trees or just lofts with same furniture. So I mixed this two problems and thought in a solution., using the butterfly main idea. It was just think "outside the box".

95% of the models was made by myself and the other 5% are premade models.

Weta Digital's Tissue System

This year, Weta Digital's Tissue physically-based character sim framework is being recognized with a Scientific and Engineering Award (Academy Plaque) at the Sci-Techs. We sit down with two of the award recipients, Simon Clutterbuck and James Jacobs, who, along with Dr. Richard Dorling, developed the linear-elastic finite-element system to build muscles, skin, and fat for creatures in such films as Avatar, Rise of the Planet of the Apes, Prometheus and The Hobbit: An Unexpected Journey.

Source: http://www.fxguide.com/fxguidetv/fxguidetv-166-weta-digitals-tissue-system/

CGI VXF Breakdowns HD: "Mariam Making of" - by Artwarecorp

Mariam, a long feature drama telling the story of three women living in Syria at completely different times, 1918, 1967 and 2012, and still share a very similar fate as well as sharing their name, a dark fate of war and despair in the mist of which they still shine with love and sacrifice.
ArtWare Corp team was responsible for every technical and artistic aspect of post production, from choosing the camera, handling the digital intermediate, not to mention editorial, visual effects, music, color grading and finishing, the film was a true joy to make and an exciting exploration of both the creative and technical process.

http://www.artwarecorp.com/media/

Credits
Client: Jawa Film
Director: Basel Alkhatib
DOP: Farhad Mahmodi
Production Manager: Fayez Said Ahmad
VFX Supervisor: Ammar Alani
Hashem Alshaer
Music: Hazem Alani

Duration: 2:00
Production Year: 2013

About ArtWare Corp
ArtWare Corp is a creative digital arts production house, with over 15 years of experience and 3 distinct departments; Architecture, Media and Audio, our diverse and capable team has been providing businesses of all sizes with memorable TV commercials, documentaries, architectural projects, music and much more.

Copyright ArtWareCorp 2013Music Track - "Infected Mushroom-Never Mind (Original)"

FITC Amsterdam 2014 Titles

One of the world's most prestigious conferences focused on design & technology, FITC seeks to inspire those who attend to marry the two disciplines like never before.

We at Leviathan were honored to create the opening titles for the festival's Amsterdam event, and took the creative challenge to heart. Set in a painter's studio, our story of every artist's quandary moves from macro to micro, showing the fantastic world that exists within a drop of paint or the bristles within a brush; all made possible with custom-built microscopic motion control camera, and a love for the art of title sequences.

CREDITS:

Concept, Design + Production: Leviathan
Creative Director - Bradon Webb
2D Design/Composite + Micro/Macro photographer - Gareth Fewel
2D Design/Composite/Titles - David Brodeur
2D Design/Composite - Ely Beyer
2D Design, Props and camera assist - Anzie Lee
3D Design/Animation/Composite, Props and Micro/Macro photographer - Anthony Malagutti
3D Model/Animation/Composite - Katrina Nelken
Editor - Mike LaHood
Senior Producer - Lauren Shawe
Creative Technologist, Microscopic research and camera rig build - Harvey Moon
Software Engineer, Microscopic research and software programming - Adam Berg
Software Engineer, Microscopic research and software programming - Dennis Chau
Executive Producer - Chad Hutson
Executive Creative Director - Jason White
Chief Scientist - Matt Daly
lvthn.com

Art Studio Shoot:
Directors: Bradon Webb + Daniel Ryan
D.P: Aaron Edwards
Lighting: O’Connor Hartnett
Lighting assist: T. Callahan
Artist + Studio: Wesley Kimler - Fine Artist - wesleykimlerstudio.com

Partners:
FITC Artwork/Font - Sara Blake / ZSO - hellozso.com
Music, Sound Design and mix - Joel Corelitz / Waveplant - waveplantstudios.com
Voice Talent - John Flack, Lauren Shawe
Color - NOLO Digital Film (Colorist - Elliot Rudmann, Executive Producer - Joe Flanagan) - nolodigitalfilm.com
Zerene Stacker Software - Created by Rik Littlefield, Zerene Systems - zerenesystems.com

Taiwan Excellence 2014 IDENT : WORLD LAB - Safety & Security

bit.ly/1ic2MxW

''The World Lab'' Series shows the evolutionary process of industries through a visualization of elements unique to each specific industry. The laboratory concept symbolizes the power of Taiwan's research and innovation.

Safety & Security

The visual design of this video draws upon ideas of surveillance, control and safety, which are standards that Taiwan’s security industry consistently achieves. The main character of the video, the robot of the future, well symbolizes the concept of intelligent security surveillance. The extensive appearance of lenses throughout the video as a visual element reinforces the concept of surveillance. The robot’s design is inspired by shell creatures to help create an image of safety and protection.

-----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

''World Lab'' 系列形象影片 - 世界的實驗室為概念，實驗室代表台灣的創新及研發能力，實驗對象代表著不同領域的產業，在實驗室中不斷進化，將產業特性視覺化為視覺主體。

安全控制篇

結合監視、控制、安全等科技產業的元素做為視覺設計的基礎，以未來機器人呈現高科技分析監控的概念，大量運用鏡頭的元素代表監視的概念，機器人的造型設計以甲殼生物的外型為基礎，表達安全、防護的視覺概念設定。

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Credit

Client
Taiwan External Trade Development Council ( TAITRA )

Director
Sawoozer Wang

Production :
+AKITIPE STUDIOS

Co-Director : Lance Ni
Producer : John Ou
Concept Artist : Camille Kuo / Neven Hsu / Sylvia Chen / Tom Yi
Graphics Design : Niven mo / Walt Wang
CG Team Supervisor : Juin Chang / Ralph Waniek
CG Artist : Juin Chang / Lance Ni / Neven Hsu / Tom Yi / Sylvia Chen / Andrew Augustyniak / Andy Zimirski /
CG Assistant : Ric Hung / Jyouanmi Chen

Music & sound design
Zelig Sound

Rendering
FOX Renderfarm

Special thanks
13 Studio / Artery Vision / Evermotion

Cartoon Network: Rebrand Reel [HD]

Competition brief for YCN (student.aisforawards.org/)
My first attempt at character rigging.. Five network IDs (Float, Tower, Beam, Glide, Zoom) plus some examples of how the brand could extend to different broadcast elements such as 'up next' bumpers and lower thirds.

The spots are based around the characters developing fun scenarios for themselves with nothing but their imaginations and cardboard.. anything is possible! I remember making everything I could think of out of card and tape when I was young and think creativity should be encouraged from an early age and to use Cartoon Network as a catalyst is ideal.

Please take a look at the 'making of' video and visit the project blog to see in depth developments through the process of design, construction and animation: mattfrodshamcartoonnetwork.blogspot.com/

All 3D work was completed in Cinema 4D and composited in After Effects.

Credits:
Directed, animated and edited by: Matt Frodsham mattfrodsham@gmail.com
Music by: Partners in Rhyme (partnersinrhyme.com)
Images used to demonstrate lower third examples © Cartoon Network (cartoonnetwork.co.uk)

Making Of: Cartoon Network

Project blog at: mattfrodshamcartoonnetwork.blogspot.com

View the HD final reel for credits and info etc.

Quick breakdown of design, production and post. There's no audio except for what was output with original motion tests (so watch out if your speakers are on loud half way through), but thought some might find it interesting to see everything thrown into a chunk of video. The blog has more indepth explanation but I figured this would be easier to flick through.

Let me know what you think - I'll try and do more comprehensive ones in future and explain what & why etc.

Cheers Matt

Honda 'Hands'

Curiosity is at the heart of Honda’s latest brand campaign which focuses on the curious spirit that has made the engineering company the largest engine manufacturer and racing company in the world.

Credits:

Client: Honda UK
Creative agency: Wieden+Kennedy London
Production Company: Nexus
Directors: Smith & Foulkes
Executive Creative Director: Chris O Reilly
Producer: Tracey Cooper
Production Asst: Fernanda Garcia Lopez
Director of Photography: Clive Norman
Editorial Company: Trim Editing
Editor: Paul Hardcastle and David Slade
VFX Company: Nexus Productions & Analog
Head of Marketing: Olivia Dunn
Executive creative directors: Tony Davidson and Kim Papworth
Creative Team: Chris Lapham and Aaron McGurk
Producer: James Guy
Client Service: Laura McGauran and Paulo Salomao

Bjork - "Mutual Core" Making Of

Director: Andrew Thomas Huang - andrewthomashuang.com
Producer: Árni Björn Helgason
Production Company: Sagafilm

REYKJAVIK UNIT:

Cinematographer: August Jakobsson
Production Designer: Gudjon Olafsson
Art Director: Thorgeir Odinsson
Makeup Artist: Frida Maria Hardardottir

LOS ANGELES UNIT:

Cinematographer: Laura Merians
Production Designer: Hugh Zeigler
Art Director: Orion Martin

POST PRODUCTION:

Executive Producer: David Lyons
VFX Company: Moo Studios

Editor: Andrew Thomas Huang
VFX Supervisor: Andrew Thomas Huang

Lead Compositor: Lindsey Fry
Compositors: Nate Jess, Aaron Rovner

Lead CG Supervisor: Michael Ranger
FX Technical Director: Nico Sugleris
CG Modelers: Michael Barela, Daniel Edery, Iordanis Kioumourtzoglou
Animators: Olivia Hong, Dan Wilson, Othon Castro

Director's Rep: Jamie Kohn-Rabineau at LARK Creative

Sponsored by The Museum of Contemporary Art Los Angeles MOCATV

Main Road|Post "Stalingrad" VFX reel ' 2013

https://www.facebook.com/MainRoadPost
http://www.mrpost.ru

Visual Effects Showreel for Russian World War II drama "Stalingrad" (2013).

http://www.imdb.com/title/tt1966566/?...

Showreel credits:
Music: "The Way" by Zack Hemsey
Sound FX: Alexey Samodelko

Starz | Main ID (Director's Cut)

Starz | Rebrand 

Production Company : yU+co
Lead Design & Direction : Emrah Gonulkirmaz
Lead Compositing & Direction : Mert Kizilay
Sound Design : ECHOLAB

I've teamed up with yU+co to design & create a visual language for the brand Starz network, which infuses the entire landscape of Starz platforms with their new tagline, "Taking you Places"

Conceptually I've decided to go with Organic and solid, sculptural forms which were fluid in motion. Overall approach was same for the brand package, but the forms and motion constitute the distinction between the main and sub channel / program ids.

Above credits are specific to Director's cut versions, Over all branding package was done with team at yU+co which had expanded in daily bases through out the project time.
It was great working with lots of talented designers & artists with all their great interpretation.
I'll try to release full list of credits if i can get the names together.

Incirrina. Of The Aglare Void

This creature has the complex fate but she finally came unscrewed. She’s raw, synthetic and diffident. She’s afraid that she’s doing worse than she really can in the radiant emptiness full of stars, snowflakes and colored smoke. She doesn’t need anything and wants nothing. Let's leave her alone.

Visual Experiment #03

Visual Experiment #03
Self-initiated project / personal ident.

Motion Design
simonholmedal.com

Sound Design
echoicaudio.com